Graham Coxon Gear Guide

Graham Coxon’s Telecasters, Marshall-era Blur rigs and extensive Boss, fuzz, filter and modulation effects.

A quick-reference inventory of guitars, amplification, effects and recording-period associations. Exact equipment varies by song, session, venue and tour.

Guitars

Gear / referenceDetailsEra / use
Fender Telecaster ’52 ReissueA long-running Coxon guitar and stripped-back workhorse.Blur era
Customized 1968 TelecasterModified with a Gibson-style humbucker in the neck position.Blur era
Fender Graham Coxon TelecasterSignature model based on his modified Tele preferences.Signature model
Fender StratocasterAlternative single-coil instrument for selected tracks.Selected use
Gibson Les PaulHumbucker guitar for thicker overdubs and leads.Selected use
Epiphone CasinoHollow-body guitar for different clean and driven colors.Selected use
Acoustic guitarsUsed for songwriting and layered studio parts.Studio

Amplifiers

Gear / referenceDetailsEra / use
Marshall amplifiersLong-running stage amp platform through much of Blur’s career.1990s onward
Fender amplifiersCleaner alternative tone in studio and later rigs.Selected sessions
Vox AC30Chime-rich amp color for selected tracks.Selected use
Amp breakupCoxon has discussed questioning the Marshall-heavy setup while retaining its core sound.Recent era

Effects

Gear / referenceDetailsEra / use
Boss BF-2 FlangerModulation effect used in Blur-era board histories.Selected songs
Boss CS-3 Compressor/SustainerCompression and sustain control.Board history
Boss DD-3 Digital DelayShort digital repeats and ambience.Board history
Boss DM-2 Analog DelayWarmer repeats for selected parts.Board history
Boss OD-3 OverdriveAdditional amp push and grit.Board history
Boss PN-2 Tremolo/PanStereo tremolo and panning textures.Selected use
Boss RV-5 ReverbDigital ambience.Board history
Boss VB-2 VibratoPitch modulation for unstable textures.Selected use
Pro Co RAT and Shin-Ei FY-2Distortion and fuzz colors in documented pedalboard lists.Selected use
EHX HOG / Holy GrailHarmonic generation, octave textures and reverb.Selected use
Line 6 FM4 Filter ModelerSynth-like filter sounds.Selected use
Akai Headrush E2Echo and looping textures.Selected use

Song references

Gear / referenceDetailsEra / use
There’s No Other WayTelecaster-driven indie guitar tones.1991
For TomorrowLayered clean and distorted guitar parts.1993
Girls & BoysBright rhythm parts with effects-shaped studio texture.1994
Song 2High-energy distorted guitars and direct arrangement.1997
Coffee & TVFuzz, modulation and layered guitar tones.1999

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Last updated date:September 2026